the brilliantly leaping gazelle

Election Notes 2024: E-Day -41

If, as widely predicted, Labour do indeed win the election, wouldn’t it be an incredibly satisfying turn of events if a vocal minority Conservative voters constantly banged on about how utterly unfair they thought the outcome was and sought to overturn it? 

Possibly by launching court cases based on nothing more than sour grapes which might end up involving the Supreme Court, calling for judicial reviews of the process and attempts cancel the result. Not to thwart the democratic will of the majority you understand, but to do something incredibly complicated that only the grown ups might be able to understand.

Which would necessarily suggesting that the credulous fools who’d voted for Labour not only had been lied to, but that Labour had knowingly lied to them. That Labour voters didn’t really know what they were voting for – was it Eurovision? – effectively implying that Conservative voters were intimately aquatinted with every detail of their manifesto.

Because it is a truism of political election campaigning, that political manifesto’s are sacred texts, and all of their promises are always enacted if elected and reused again and again if not, to signify exactly how committed to them they are. No political campaign in the history of ever, has been accused of falsehoods, misleading claims and downright lies. 

There’d also be the unspoken assumption that there was something inherent in their character that had caused them to vote Labour. Either a moral defect or an irrational fear, possibly both, that rendered them susceptible to manipulation via well funded and highly targeted social media adverts.

But of course this won’t happen and the reason it won’t happen is losers consent, the ludicrous premise that the losing side in an election gracefully accepts defeat and moves on. You know, the way democracy is supposed to work, you win some you lose some.

I just want to point out again that I voted to Remain in the European referendum, but was appalled by the way that certain sections of the media, especially BBC TV, BBC Radio 4 and The Guardian constantly promoted the fatuous idea that some elaborate political chicanery had taken place. And even more appalled that there was an audience all too willing to believe such complete and uttter bollocks and that they alone were part of the chosen few who could see it.

Election Notes 2024: E-Day – 42

It is said that every cloud has a silver lining and until yesterday evening, I never believed it true. First off, the cloud.

For reasons wholly to do with selective virtue signalling and wanting to be well thought of by the digital mob, Ken Loach and Mike Leigh resigned as patrons of the Phoenix cinema in London in protest over the venue hosting an Israeli state-sponsored film festival yesterday

As The Guardian reported 

The cinema – one of the UK’s oldest – is holding a private screening of Supernova: The Music Festival Massacre, as part of the international Seret film festival on Thursday night. The documentary tells the story of the attack by Hamas on the Nova music festival on 7 October through survivor testimony.

That would be the attack by Hamas in which 364 civilians were killed.

As I have observed before on this blog, Hamas knew well what sort of response this would provoke, but decided to do it anyway. So to my mind, any Palestinian deaths resulting from the subsequent Israeli military action is totally their fault. I don’t understand why people are so unwilling to accept this.

Leaving that aside – for now at least – and back to Ken Loach. I’d always admired him and his work. His was the kind of film-making which, whilst not always an easy watch, was imbued with a sympathy for the ordinary person and which was never patronising or condescending, but critiqued the forces, political with both a large and a small p, that confounded them.

His 1969 documentary about the charity ‘Save the Children’ despite being partly funded by them, was banned from ever being broadcast by them, it being so critical. In 1980, his documentary ’A Question of Leadership, about the steel workers strike of 1980 and the Thatcherism that had caused it, was considered so inflammatory it was withdrawn and when it was finally shown, was savagely edited and a ‘balancing’ programme shown afterwards.

So him telling the Guardian: “‘My resignation as a patron of the Phoenix shows what I think of their decision. It is simply unacceptable.” is so disappointing, not least because it is the sort of treatment he has faced.

Now the silver lining.

There were two protests outside the Phoenix last night. One was by the usual pro-Palestinian rabble rousers parading their selective virtue, and wonderfully, a counter protest by a pro-Israeli crowd shouted them down so much they gave up and went home.

Oddly enough ‘The Guardian’ wasn’t able to find enough digital space to run this story today, but thankfully, The Jewish Chronicle did. It was able, however to rehash yesterdays story today.