the brilliantly leaping gazelle

Category: Uncategorized

‘The Guardian’ meets Vic&Bob

Alright, we get it, about how in the world of perpetual criticism and finding fault that masquerades as journalism over at ‘The Guardian’. That whilst it can be trying to find new ways to pandering to its disciples need to feel guilty to just for being alive, in their world, The Garrick Club is something vexing. Their interminable pursuit of this men only members club has been a staple of its output for well over a week now, so much so that it has reached beyond the confines of “The Guardians’ sanctimonious morality, and causes four judges to resign their membership of it today.

If ‘The Guardian’ were a dog, one would think it had rabies it’s been frothing so angrily about it. But the thing about it is, is it really that important a story? How is the fact that a group of successful men like to socialise in comfortable surroundings with other successful men and have formed a club that only allows successful men to join it a story? Especially since they’ve been at it since 1831.

But in the echo-chamber that is ‘The Guardian’s’ editorial stance, one which ruthlessly assumes some evil machinations lurking hidden somewhere such a privileged club, being a member of such a club is suspicious and that suspicion is enough to permit a kind of guilt by association that’d make Senator Joe McCarthy blush.

It’s as if no-one at ‘The Guardian’ would ever dream of using social connections to help bolster theirs, their friends or associates careers, or to use those connections to some other advantage. It happens everywhere, from rugby clubs and Chambers of Commerce to the Women’s Institute. To imagine it wasn’t ever thus is being dangerously disingenuous. If Kath Viner, the editor of ‘The Guardian’ was serious about highlighting the pernicious dangers inherent in of cronyism, of friends doing friends favours and keeping those favours quiet, then possibly being open and transparent about her relationship and subsequent marriage to Guardian copy whore Adrian Chiles might be a good place to start. He claims the relationship started after he started working there in 2019, ending in marriage in 2022.

Isn’t this exactly the sort of behaviour that ‘The Guardian’ would be quick to condemn? Someone in a position of power, not only having a relationship with a subordinate but also powerful enough to terminate their employment? Just because here there is a reversal of the sexes of the people involved that usually accompanies these stories, doesn’t make it any the less problematic. They’re ever so quick to call on someone to resign over something that offends their own highly selective moral sensibilities, just as long as it doesn’t happen to involve their editor, it seems.

And also what, essentially, is the difference between The Garrick Club and Warner Hotels. One is men only club whilst the other provides other adults only holidays. Can someone explain why one kind of discrimination is so much worse than another? Or is age discrimination alright, just as long as its done to those too young to notice their being discriminated against?

Fingers crossed meets 3rd time lucky

(Not sure whats’s happening. The second email version of this post was meant to correct the formatting errors of the first one. It didn’t. But being stubborn I’m giving a final go. Apologies for adding more guff to your spam folder)

Much the same as most peoples, my reaction to the news that Middling has cancer was sa adness that a mother with young children was so afflicted, quickly tempered by the realisation that any sympathy was misplaced. Her being married into the family of the biggest benefit fraudsters in the country, means that the  state will pay for all her treatments and do so willingly, not even questioning her right to such entitlement. The press, knowing their role and performing it with an eye on future rewards of honours and titles, will act as cheerleaders for it being our patriotic duty to think this, that it’s almost our privilege to pay for the sort of medical care others can only dream of.

Writing about dreaming puts me in mind of one I had early this morning, when I was considering who were properly deserving of our sympathy amid this ridiculous confection of concern. I thought of  Billy Wilder and Ken Loach and if neither of those names mean anything to you, then you have no reason to be reading this blog. In a nutshell, one of them is probably one of the best film directors ever, and the other been the social conscience of British cinema since 1965.. Specifically, I imagined what manner of delights would they conjure up out of all the supposed grief and other phony emotions that have allegedly consumed vast swathes of the population this weekend.

Billy Wilders deeply cynical ‘Ace in The Hole’ tells the story of an out of work reporter who stumbles upon a small story but inflates it until it becomes massive sensation, with him directing the narrative. It’s a biting examination of the seedy relationship between the press, the news it reports and the manner in which it reports it. The film also shows how a gullible public can be manipulated by the press. Sounding familiar?

What would he have made of the circumstances whereby a conspiracy theory involving a famous person is created by and shared on social media and then that conspiracy theory is reported on and discussed by the press in a perpetual orgy of speculation and rumour.. Until the famous person is put in a situation where they are forced to reveal an even bigger story about themselves. The press and social media are delighted by this, as the newer, bigger story is so much better. Social media then turns on itself, needing as always, someone to be critical of, this time it is the people who spread the conspiracy theory The press reports on this, in a manner suggesting that they are merely curious observers of this digital onanism, free from any blame. And should they then turn on each other, so much the better, as they can report on that.

Then there is the emotional inflation, whereby a normal expression of sympathy from an estranged relation is imbued with such import and earning so much admiration that you’d think the relation had done something worthy enough to win the Nobel Peace Prize. The various opinion pieces in the press that are all variations of the same opinion. One has to admire the  genius of their benefit scam alchemy, where cutting ribbons, visiting factories or hospitals, and shaking hands is somehow transformed into work.

Billy’d have so much fun with all that, and being old school Hollywood, would do it less than two hours.

Ken Loach, always keen to tell the stories of Britain’s neglected and downtrodden, worlds away from wizards and superheroes, would unfavourably compare the gushing tributes toadied about Middlings ‘bravery’ with that of real bravery in the face of a similar diagnosis. A single father, maybe living on a sink estate, working two minimum wage jobs to support her and her young daughter. The only drugs he can get hold of is heroin from hus pimp because the waiting list for NHS cancer treatment is so long. So long, that it became terminal before she got an appointment. He doesn’t do froth, our Ken.

 Being Ken, he’d also include references to Middlings husbands family habit of going to hospital for a two night precautionary stay if they felt unwell, about how it wasn’t condemned as a flagrant mockery of the society upon which they sponged off by the press, but instead sold to a credulous public as a right and proper thing to do. And while he was at it, allude to the plights of the thousand other men who were diagnosed with cancer on the same day as Wayne, king of the spongers. You know, those men unlucky enough to be born to the wrong parents.

I care about her about as much as she cares about me, possibly because she hasn’t earned other feelings from me due to the fact that she’s had no positive effect on my life. Now if Neil Tennant or Chris Lowe of the Pet Shop Boys had cancer, that’d be another story, because they provided the soundtrack to my youth. When the their album ‘Introspective’ came out, I took the day off college to immerse myself in and it was a good job that I did, because I fondly remember spending hours listening to the opening track, ‘Left To My. Own Devices’. The utter lush majesty of it was so unlike anything I’d ever heard. Epic sonic indulgence in eight minutes.

Parasite meets leeches (properly formatted)

(Don’t know what went wrong with the first one you got. Hopefully this one will’ve been formatted properly.)

Much the same as most peoples, my reaction to the news that Middling has cancer was sa adness that a mother with young children was so afflicted, quickly tempered by the realisation that any sympathy was misplaced. Her being married into the family of the biggest benefit fraudsters in the country, means that the  state will pay for all her treatments and do so willingly, not even questioning her right to such entitlement. The press, knowing their role and performing it with an eye on future rewards of honours and titles, will act as cheerleaders for it being our patriotic duty to think this, that it’s almost our privilege to pay for the sort of medical care others can only dream of.

Writing about dreaming puts me in mind of one I had early this morning, when I was considering who were properly deserving of our sympathy amid this ridiculous confection of concern. I thought of  Billy Wilder and Ken Loach and if neither of those names mean anything to you, then you have no reason to be reading this blog. In a nutshell, one of them is probably one of the best film directors ever, and the other been the social conscience of British cinema since 1965.. Specifically, I imagined what manner of delights would they conjure up out of all the supposed grief and other phony emotions that have allegedly consumed vast swathes of the population this weekend.

Billy Wilders deeply cynical ‘Ace in The Hole’ tells the story of an out of work reporter who stumbles upon a small story but inflates it until it becomes massive sensation, with him directing the narrative. It’s a biting examination of the seedy relationship between the press, the news it reports and the manner in which it reports it. The film also shows how a gullible public can be manipulated by the press. Sounding familiar?

What would he have made of the circumstances whereby a conspiracy theory involving a famous person is created by and shared on social media and then that conspiracy theory is reported on and discussed by the press in a perpetual orgy of speculation and rumour.. Until the famous person is put in a situation where they are forced to reveal an even bigger story about themselves. The press and social media are delighted by this, as the newer, bigger story is so much better. Social media then turns on itself, needing as always, someone to be critical of, this time it is the people who spread the conspiracy theory The press reports on this, in a manner suggesting that they are merely curious observers of this digital onanism, free from any blame. And should they then turn on each other, so much the better, as they can report on that.

Then there is the emotional inflation, whereby a normal expression of sympathy from an estranged relation is imbued with such import and earning so much admiration that you’d think the relation had done something worthy enough to win the Nobel Peace Prize. The various opinion pieces in the press that are all variations of the same opinion. One has to admire the  genius of their benefit scam alchemy, where cutting ribbons, visiting factories or hospitals, and shaking hands is somehow transformed into work.

Billy’d have so much fun with all that, and being old school Hollywood, would do it less than two hours.

Ken Loach, always keen to tell the stories of Britain’s neglected and downtrodden, worlds away from wizards and superheroes, would unfavourably compare the gushing tributes toadied about Middlings ‘bravery’ with that of real bravery in the face of a similar diagnosis. A single father, maybe living on a sink estate, working two minimum wage jobs to support her and her young daughter. The only drugs he can get hold of is heroin from hus pimp because the waiting list for NHS cancer treatment is so long. So long, that it became terminal before she got an appointment. He doesn’t do froth, our Ken.

 Being Ken, he’d also include references to Middlings husbands family habit of going to hospital for a two night precautionary stay if they felt unwell, about how it wasn’t condemned as a flagrant mockery of the society upon which they sponged off by the press, but instead sold to a credulous public as a right and proper thing to do. And while he was at it, allude to the plights of the thousand other men who were diagnosed with cancer on the same day as Wayne, king of the spongers. You know, those men unlucky enough to be born to the wrong parents.

I care about her about as much as she cares about me, possibly because she hasn’t earned other feelings from me due to the fact that she’s had no positive effect on my life. Now if Neil Tennant or Chris Lowe of the Pet Shop Boys had cancer, that’d be another story, because they provided the soundtrack to my youth. When the their album ‘Introspective’ came out, I took the day off college to immerse myself in and it was a good job that I did, because I fondly remember spending hours listening to the opening track, ‘Left To My. Own Devices’. The utter lush majesty of it was so unlike anything I’d ever heard. Epic sonic indulgence in eight minutes.

Leeches meet parasite (formatted properly?)

(Don’t know what went wrong with the first one you got. Hopefully this will’ve been formatted properly.)

Much the same as most peoples, my reaction to the news that Middling has cancer was sa adness that a mother with young children was so afflicted, quickly tempered by the realisation that any sympathy was misplaced. Her being married into the family of the biggest benefit fraudsters in the country, means that the  state will pay for all her treatments and do so willingly, not even questioning her right to such entitlement. The press, knowing their role and performing it with an eye on future rewards of honours and titles, will act as cheerleaders for it being our patriotic duty to think this, that it’s almost our privilege to pay for the sort of medical care others can only dream of.

Writing about dreaming puts me in mind of one I had early this morning, when I was considering who were properly deserving of our sympathy amid this ridiculous confection of concern. I thought of  Billy Wilder and Ken Loach and if neither of those names mean anything to you, then you have no reason to be reading this blog. In a nutshell, one of them is probably one of the best film directors ever, and the other been the social conscience of British cinema since 1965.. Specifically, I imagined what manner of delights would they conjure up out of all the supposed grief and other phony emotions that have allegedly consumed vast swathes of the population this weekend.

Billy Wilders deeply cynical ‘Ace in The Hole’ tells the story of an out of work reporter who stumbles upon a small story but inflates it until it becomes massive sensation, with him directing the narrative. It’s a biting examination of the seedy relationship between the press, the news it reports and the manner in which it reports it. The film also shows how a gullible public can be manipulated by the press. Sounding familiar?

What would he have made of the circumstances whereby a conspiracy theory involving a famous person is created by and shared on social media and then that conspiracy theory is reported on and discussed by the press in a perpetual orgy of speculation and rumour.. Until the famous person is put in a situation where they are forced to reveal an even bigger story about themselves. The press and social media are delighted by this, as the newer, bigger story is so much better. Social media then turns on itself, needing as always, someone to be critical of, this time it is the people who spread the conspiracy theory The press reports on this, in a manner suggesting that they are merely curious observers of this digital onanism, free from any blame. And should they then turn on each other, so much the better, as they can report on that.

Then there is the emotional inflation, whereby a normal expression of sympathy from an estranged relation is imbued with such import and earning so much admiration that you’d think the relation had done something worthy enough to win the Nobel Peace Prize. The various opinion pieces in the press that are all variations of the same opinion. One has to admire the  genius of their benefit scam alchemy, where cutting ribbons, visiting factories or hospitals, and shaking hands is somehow transformed into work.

Billy’d have so much fun with all that, and being old school Hollywood, would do it less than two hours.

Ken Loach, always keen to tell the stories of Britain’s neglected and downtrodden, worlds away from wizards and superheroes, would unfavourably compare the gushing tributes toadied about Middlings ‘bravery’ with that of real bravery in the face of a similar diagnosis. A single father, maybe living on a sink estate, working two minimum wage jobs to support her and her young daughter. The only drugs he can get hold of is heroin from hus pimp because the waiting list for NHS cancer treatment is so long. So long, that it became terminal before she got an appointment. He doesn’t do froth, our Ken.

 Being Ken, he’d also include references to Middlings husbands family habit of going to hospital for a two night precautionary stay if they felt unwell, about how it wasn’t condemned as a flagrant mockery of the society upon which they sponged off by the press, but instead sold to a credulous public as a right and proper thing to do. And while he was at it, allude to the plights of the thousand other men who were diagnosed with cancer on the same day as Wayne, king of the spongers. You know, those men unlucky enough to be born to the wrong parents.

I care about her about as much as she cares about me, possibly because she hasn’t earned other feelings from me due to the fact that she’s had no positive effect on my life. Now if Neil Tennant or Chris Lowe of the Pet Shop Boys had cancer, that’d be another story, because they provided the soundtrack to my youth. When the their album ‘Introspective’ came out, I took the day off college to immerse myself in and it was a good job that I did, because I fondly remember spending hours listening to the opening track, ‘Left To My. Own Devices’. The utter lush majesty of it was so unlike anything I’d ever heard. Epic sonic indulgence in eight minutes.

Earned, not married into.

Schrodinger’s cat meets democracy

The result of the recent Irish referendum was many things and I’ll leave it to those more knowledgeable in Irish politics to expound upon the issues it raises. Much has been made of the decision to even hold a referendum regarding changes to the constitution in the first place. There are many problems facing Ireland right now and holding a referendum on something that wasn’t one of them seemed as if it was an exercise in political virtue signalling. One which indicated how in touch with the values and language of now the political class were, by indicating how out of touch they were with the concerns of ordinary Irish citizens.

An example being that changes to the the wording of the constitution are not exactly on a par with proposed cull of 200,000 dairy cows – 10% of the total – in order to better meet the Irish governments goal of reducing agricultural emissions by 25% by 2030. And whilst tinkering with some of wording of the constitution looked good to people who are inordinately pre-occupied with looking good, it also had the added benefit of seemingly coming with no cost, whereas the cull is estimated to cost £600Million.

But come at a cost it did and whilst much was made of the seemingly low turnout – 44% as compared with 2018’s repeal of the abortion law which had 66.5% – even the most cursory of looks at voter turnout reveals just how low it actually was. In parts of the capital Dublin and at least four counties, turnout was estimated to be no higher than 12 per cent and although turnout was high in some places – 46% in other parts of Dublin – there was an overwhelmingly sense of voter apathy. This the nightmare scenario that awaits both main parties in the forthcoming UK election if they fail to engender anything even approaching a sense of it being anything other than the outcome being a foregone conclusion. The victory of George Galloway in Rochdale underlies the reality of this prediction.

As noted in a previous blog post, there were many things I found highly disagreeable about George Galloway’s campaign, but no matter how calculated one considers his campaign to have been, it was undeniably effective. Making it clear that he was targeting the Muslim community in Rochdale that made up 30% of its population and shifting the focus away from local or even national issues, but instead onto Israel/Gaza was an act of effective strategic masterstroke. It paid off, resulting him getting 40% of all the votes cast, which sounds impressive, until you realise only 39.7% of voters actually bothered to. And then suddenly that 40% seems even less impressive, especially when you realise that that once impressive 40% translates into 12,335 actual votes.

A pathetic inditement of our political apathy, made all the more pathetic when one realises there are 26 constituencies with a majority of less than 1000, each notionally at risk from a well co-ordinated and highly motivated grassroots campaign. Which is both a good and a bad thing for democracy. Good, because it allows people to become properly invested in participatory democracy in a meaningful, not theoretical way, and to decide for themselves what issues are important to them, not have them dictated by a party machine. That is also the bad thing, because as Galloway’s victory in Rochdale shows, the numbers needed to win were not big and therefore permits to a certain kind of activism, as factional as it is unrepresentative. Certainly nowhere near cohesive enough to engender solidity with other similar victors on a regional, never mind national stage.

That’s why to me, the results of the Irish referendum and Rochdale are one and the same, bringing in their wake the warning of voter disengagement with the entire political process. Of how that sense of disengagement, that apathy, could be turned on itself, be weaponised and ruthlessly exploited in the pursuit of a rigidly exclusionary agenda.

Think of those 12,335 votes and tell me I’m dreaming.

Lenny Henry meets Bertolt Brecht

Does anyone actually find Lenny Henry funny?

On the night of his farewell presenting gig on ‘Comic Relief’ I ask this not to be provocative but as a genuine question. Does anyone find him funny? Not funny in a ‘laugh and he’ll go away’ way, or ‘laugh because the poor deluded fool thinks he’s funny’ like David Brent, and not in a ‘If there’s nothing better on the box I suppose I’ll watch.’, which leads to a begrudgingly tight lipped smile. No, an actual laugh, one that escapes your mouth unbidden by conscious thought, a spontaneous reaction, as unmistakeable as it is uncontrollable.

I’ve asked lots of people this over the years, and whilst most people think he’s a likeable enough chap, the sort of chap who if he was your neighbour you’d like to have as a friend, no-one I’ve asked actually will admit to finding him funny. Everyone agree’s he does a lot for charity, but as was the co-founder of that charity, one that has helped him in the public eye since 1985, it’s been a beneficial enterprise.

I’m not suggesting that his motives have ever been less than totally altruistic and beyond reproach, yet one has to admit that few comedians have had his longevity. Anyone remember ‘Three of a Kind’Three the comedy sketch show starring Tracey Ullman, Lenny Henry and David Copperfield? No? Three series were made of it by the BBC. Still nothing? Ullman went to the US, where she has been nominated for twenty – twenty – Emmy awards, and has won seven, but what happened to Copperfield.

I know this has nothing to do with him – well it does, but in a good way – and that is that I’ve always had a problem with the idea of charity, that in modern day Britain there are still aspects of acute public need that the state fails to provide for, and so charities are set up to meet the need. There are about 165,000 of them How is s this possible in the 6th richest country in the world?

What does it say about a society that needs so many charities and while yes, some of them are undoubtably frivolous, some, like food banks are a damning indictment of a society that needs them. The idea that in the UK there is an ever growing need for food banks is so redolent of a Britain I thought only existed in history books or the works of Dickens, of workhouses and the notion of the deserving poor.

There’s a food bank in Rochdale. Has been since 2012. A town that needs a food bank possibly has a load more pressing concerns than electing an M.P whose main focus seems to lay thousands of miles away. A town that needs a food bank, in a country that has over 1600 of them, is a country that has failed and the need for the kind of charity that a food bank provides is a glaring sign of that failure.

Anyway, Lenny Henry. The question still stands, does anyone find him funny?

Show meets business.

One of the greatest tricks that Hollywood has ever managed to pull off, is to hoodwink the public into thinking that the most important part of the word show-business is ‘show’ and that the business part of it doesn’t mean what business is commonly accepted to mean. That is, selling a thing to people and selling enough of that thing to make a profit.

I was thinking this the other night as I watched the Oscars, specifically my last blog, where I referenced ‘Winnie-the-Pooh; Blood and Honey’ a 2023 slasher movie that despite being widely acknowledged as one of the worst films ever, was made on a budget of $100,000 but netted a global box office of about $5,000,000 – and to which a sequel is planned. And why wouldn’t it be? A profit margin of 4,900% is the very definition of a successful business venture, which only highlights the almost awe inspiring financial failures that made up the majority of films 2023.

Most films fail to recoup their production and marketing budgets and it is an accepted truism in the movie business that whatever the actual production budget for a film is, one should also allow about half of that amount for that to cover the associated costs that accompany the selling of it, the marketing, the distribution, and all of the other the blah, blah, blah it entails. Some films spend way more than that.

Take ‘Barbie‘,for example one of last years most successful films. It cost $135 Million to make, made $1.4 Billion globally, but reportedly had a marketing budget of $150 Million. Whist those are big numbers, they’re nowhere near as big as Winnie’s 4,900%. profit. And that is nowhere ‘The Blair Witch Project’ which while costing $60,000 to make implausibly made $248,638,099, a profit of 414,300%.

So its worth bearing in mind, when thinking of Martin Scorceses’ critique of Marvel films not being real cinema and dismissivly comparing them to rides at theme parks, that theme parks only exist to entertain and that if they don’t, then the public will vote with their feet. Much like they did with his latest cinematic bum number, ‘Killers of the Flower Moon’, which worked out costing $1Million for each of its 200 minutes, but had a paltry total box office of $157 Million.

So for all of the gushing press that the Oscars have generated, about how it is attempting to become more inclusive, more diverse and more whatever it pretends to be ,the one thing it is and always has been, is massively condescending about the kind of films that most people see. If there was one moment above all else that typified this this achingly superior attitude, it was when the host, Jimmy Kimmel, read out a tweet from Donald Trump. The tweet, essentially mocking of the entire ceremony, and Kimmel in particular.

Of course this played out well. Kimmel knew his audience, knew that their illiberal liberality would approve his sneering tone, knew well that the cheers and applause would follow, knew also that he was addressing not the television audience, but thousand or so packed into that theatre gleefully staring back at him.

It proved that whilst showiness is a business, it is a business increasingly out of touch with the consumers it depends on.

Jane Austen meets Winnie-the-Pooh.

I like Jane Austen.

Actually, I’ve only read ‘Pride and Prejudice’ and that was at school for ‘O’ Level English, but I have seen most of the TV and film adaptations of her books and I like those. Which is almost as good. That’s why this headline caught my eye;

Winchester plan for £100,000 Jane Austen statue triggers ‘Disneyfication’ fears’, before going on to report that ‘People at public meeting raise concerns that sculpture in cathedral grounds will attract tourists taking selfies

As one might imagine, my first thought upon reading this was how big was this statue going to be if it cost £100,000. Secondly, and more problematic for the sculptor I would’ve thought, is the fact that no likeness of her actually exists. But then I remembered we are living in 2024 and that doesn’t matter in an age ofArtificial Intelligence, of ‘remixing’ photo’s on our ‘phones, of deepfake revenge porn, and now with Google Gemini and its black Nazi’s, the end of historical accuracy. This quote, from the sculptor Martin Jennings, after unveiling his preliminary model, is a damning critique of a culture that places the now over the past.

Welcome to now, where it is always now, and the past only exists as something to be re-imagined, re-contextualised and ultimately re-cycled in a continuous process of re-evaluation, and where there is no future, only a now that hasn’t happened yet, the pre-re.

“In life, she may have been aghast at being represented in this way. But after death, she belongs to all of us.”

‘In death she belongs to all of us.’ And that, boys and girls, sums up perfectly an ever more prevalent artistic aesthetic, one that has more to do with the the values of now, of some cultural commissars, than of the work itself. The notion that once a piece of art has been created, the artist then relinquishes any say over how it is interpreted because then it enters the public domain and the public can then be told by cultural commissars if it is either good or bad.

Welcome to now, where it is always now, and the past only exists as something to be re-imagined, re-contextualised and ultimately re-cycled in a continuous process of re-evaluation, and where there is no future, only a now that hasn’t happened yet, the pre-re.

In my wilder flights of fancy I can easily imagine an artist creating a work of art now – be it music, a painting, a book – and thinking to themselves ‘ Sure, it’ll pass muster now, now it’s fine, but what about in 50 or 100 years from now, when attitudes will have changed. What then?’ Perhaps artists will have to put a moratorium of sorts on their work, a legally binding stipulation in their will that after their death all their works are to be destroyed and consigned to the dustbin of history.

If only A.A.Milne had thought to do that, then the Pooh books would never fallen out of copyright, entering the public domain, resulting in ‘Winnie-the Pooh; Blood and Honey’, a 2023 slasher movie, that follows Pooh and Piglet, who – obviously – have become feral and bloodthirsty murderers, as they terrorise a group of young university women and Christopher Robin when he returns to the Hundred Acre Wood five years later after leaving for college. Despite being widely acknowledged as one of the worst films ever made, the numbers don’t lie – made for $100,000 but with box office of about $5 Million – and a sequel is planned.

I was foolishly then that thinking that Jane Austen had got off lightly, until I remembered 2016’s ‘Pride and Prejudice and Zombies..’

Forest Gump’s mum meets Winston Churchill

The most depressing thing about the way in which the entire political class and their fawning sycophants in the media reacted to George Galloways’ electoral victory in Rochdale the other night was that it reminded me of how they’d all reacted after the Brexit vote. With an almost tedious inevitability, there was the same anguished newspaper headlines, the same acres of newsprint opining at length about what it said about Britain, about how it was a sad day for democracy, even down to the PM giving a speech outside No.10.

The statesman like thing to have done would’ve been for Loafer to be gracious in defeat and to admit that whilst he had lost, democracy had won. To position himself was a staunch defender of the democratic ideal, that how he felt about the result was ultimately of no consequence. But no. He somehow managed to conflate Galloways victory and the beliefs of some of the people who supported him as evidence of “our democracy itself being a target”

The thing is, it’s a teensy-teensy bit cheeky for Loafer to even mention democracy being a target, given the obscenely undemocratic way he became PM in the first place, in an act of political chicanery that would’ve made even Kim Jong-un blush. He is to democracy what Prince Harry is to reticence. At least his predecessor, Letttuce, was elected, even if it was only by 80,000 Conservative Party members. The last PM to be elected because of an actual general election was Boris’s Johnson, back in 2019.

Secondly did any Cabinet Ministers travel up to Rochdale to support the Conservative candidate Paul Ellison, especially after the Labour candidate was withdrawn? The media were all too aware of the potential for a Galloway win, most obviously because it allowed them to pontificate upon how disastrous an outcome this would be, so it follows that Loafer and Co were aware too. So where was the one time only coalition of all three main parties suspending business as usual and uniting behind a common cause to defeat Galloway? And instead of sounding all high and mighty about putting country before party like all politicians are always testiculating about, maybe actually doing it?

Galloway won Rochdale thanks in part to a low voter turnout – 39.7% as compared to the 60.1% in 2019 – and of that he only managed to 40%. Basically, 12,335 votes. Essentially if the main political parties couldn’t be even bothered to show up, then why should the voters? Worryingly, a couple of candidates whose names appeared on the ballot paper but were withdrawn before the election itself nevertheless managed somehow get a combined total of nearly 3,000 votes. And that leads neatly onto another threat to democracy.

Politicians themselves.

They are increasingly out of touch with the everyday concerns of the people they claim to serve, hardly a surprise when one realises the huge disparity between them and rest of the population. In 2019, research revealed the sheer scale of this grotesque reality. 44% of Tory MPs, 38% of Lib-Dem ones and 19% of Labour ones went to to fee paying – private – schools, as compared to 6% for the rest of us. It gets worse, as most of the Tory ones – 61% of that 44% – are in Loafer’s Cabinet, and 45% lot of that went to Oxbridge.

Less than 1% of the rest of us do. Unsurprisingly, this disparity stretches into the upper echelons of the civil service, the media and business.

No wonder then that a kind of group-think takes place, one that allows an echo chamber of ideological conformity to flourish and for dissenting opinions to be seldom heard. And that danger to democracy extends to the judiciary; senior judges being the most unrepresentative group of them all, with 67% attending private schools and 71% graduating from Oxbridge, with 11 of the judges on the Supreme Court thusly educated. Puts the legal challenges to Brexit into a harsher light, to say nothing of the Supreme Court unanimously ruling that Boris’s Johnson had “unlawfully” prorogued – suspended – parliament for five weeks. Effectively thwarting, albeit temporally, his ability to carry out the wishes of the majority of the UK population

Much like the Brexit vote, there was a lot of scare-mongering by the commentariat and grim predictions of doom that were better suited to Macbeth, but that didn’t prevent the shocked disbelief and abject bewilderment of the entire political class when the lower orders actually used democracy to be actively involved in their own lives. Possibly not enough of them made full advantage of that possibility in Rochdale, but whose fault is that? That’s one of the great strengths of democracy, which is why the right to vote was very begrudgingly and even more incrementally broadened to eventually encompass all citizens. Just as people are sometimes contrary, often unpredictable and frequently unfathomable, so too can be election results.

And as I pointed out in a previous blog, Galloways self-professed and ruthlessly focused targeting of Rochdale’s Muslim population may well have been distasteful, but from another point of view, a brilliant piece of strategic thinking, one which all of the other parties have always used. Indeed election night analysis almost fetishises the possibility of marginal seats being lost to a rival party, often cutting away so we can see the winner bask in their fleeting moment in the spotlight. And with an emboldened Galloway eyeing up marginal seats25 of which have majority of less than 1,000 – the results may not be to everyone’s liking, but isn’t that the point of democracy, losers consent?

To quote Forest Gumps’ mum ‘Life is like a box of chocolates, you never know what your gonna get.’

Justin Webb meets Galileo

As things change, so they remain the same and so just as Galileo was found guilty of heresy in 16th Century Italy, so too has the BBC’s Justin Webb been found guilty of expressing the modern equivalent of a heretical belief in 21st Century Britain.

Galileo’s accusers were the Roman Catholic Church and his his supposed heresy, expressed in his book ‘Dialogue Concerning the Two Chief World System’ was his belief that the Earth revolved around the Sun and not vice-versa,. This view was gaining some traction in 16th Century Europe, and because of that the Catholic Church in the form of the Inquisition sought to punish him. He was found guilty of heresy, forced to renounce the truth, sentenced to life imprisonment – commuted to house arrest until his death – and the publication of any of his books, including any future works, was banned.

Who accused Justin Webb isn’t know but his heresy was that, whilst co-presenting BBC Radio 4’s Today programme, he uttered the phrase “trans women – that is males’ last year when discussing new International Chess Federation guidelines regarding whether being biologically male can give players an advantage in the game.

Leaving aside the question of exactly how biological males competing in a women’s category are somehow conferred an advantage when playing chess – chess – isn’t clear. Proper sport – the kind that causes you to sweat and muscles to ache if you do too much – I understand the advantage. Any male who has gone through puberty has all manner of biological advantages because of it and no amount of ideologically driven scientific gerrymandering will alter that fact.

But nonetheless, someone complained that the comment amounted to Webb giving his personal view on a controversial matter in breach of the BBC’s requirements on impartiality, and the the BBC’s editorial complaints unit agreed, saying it “gave the impression of endorsing one viewpoint in a highly controversial areaHow exactly is this ‘a highly controversial issue’? It isn’t. Far from it, as polls have consistently shown that the overwhelming majority of Britons hold same the view, namely that trans-women are in fact men. When they properly understand what is meant by a trans-woman, that is.

To me, this is just another baleful, yet increasingly modern example of a ‘sport’ or organisation wishing to jump aboard the trans bandwagon and in the interests promoting this and championing that, essentially negating the rights of biological women. And of an organisation that has abandoned all moral authority in trying to placate the digital mob.

The frightening thing is that Galileo had to wait a couple of centuries to be proved right.

We already know Justin Webb is right.