the brilliantly leaping gazelle

Tag: press

33:64 presents “Mandy Rice-Davies.”

I feel sorry for the former Prince Andrew or Andrew Mountbatten Windsor (AMW) as he is now. How could one not? He has done nothing wrong, certainly nothing he has ever been charged with and crucially, nothing prosectors in a criminal trial have convinced a jury he deserves to be convicted of.

Yes he may well be many things, some of which may well be behaviours or ways of conducting himself which we might find objectionable. But then if we doIf we do, we should  also ask ourselves how, if we’d have had his ridiculously privileged upbringing which from his birth had him treated with constant indulgence by his equally privileged family or by the fawning sycophants they employed, might we have behaved any different? 

That isn’t to excuse what he’s done. But here’s the thing. Only one person knows for certain if he did any of the things everyone assumes he did, and that’s him. Everything else is a mixture of guilt by association, allegations, conjecture and speculation. Which is essentially gossip, rumour and hearsay. Anyone can allege anything about anyone. Doesn’t make it true.

But that’s to forget that the public had been successfully groomed by the press for decades into imagining that AMW was an insatiable philanderer who enjoyed a ‘colourful’ and ‘chequered’ love life. ‘Randy Andy’ they called him. He was news, and it didn’t hurt that the women he supposedly trysting with didn’t look like they urgently needed the services of a plastic surgeon either. If the press were ever to be challenged over their breathtakingly hypocritical double standards, the question is; who would ever challenge them? Who would demand to know how it was possible to go from being  enthusiastic chroniclers of AMWs sexploits in the 1980’s and 90’s but then to became more critical of same as Britain emerged into a new Century?

Possibly they’d claim the public mood had changed, that what was once seen as titilating was now tawdry, that social mores were changing and all they were doing was simply reflecting this attitudinal shift. Which conveniently, and disingenuously, overlooks the fact that well before the advent of the faux outrage’s, judgmental pile-ons and quixotically censorious hysterias of social media, it was the press that shaped determined who or what was unacceptable. Far from merely reflecting social mores back at us, the press had decided what these new mores were, were projecting, reinforcing and reframing an ever changing set of morals upon us.

In all of the endless words the press has devoted to crucifying AMW, one thing has struck me as curiously absent. Why, when they speculate on where he’ll live once he leaves wherever it is he is now, they never follow through by asking how it is that his brother just happens to have a few gaffs lying about empty.

They never question why we have a monarchy. Or question why it is that in a society that is so seemingly obsessed with proclaiming its virtue by rubbishing its past, endlessly detects evidences of -ism’s, – phobia’s and -ions, and tears down statues, removes ‘triggering’ artworks from galleries, and has institutions denouncing their founders when it does, why does the single most powerful symbol of privilege still exist?

Because if it didn’t, whilst wealth and privilege would still be with us, newspapers would have to do actual reporting, AMH would be just another citizen and Virginia Giuffre might still be alive.

Leeches meet parasite (formatted properly?)

(Don’t know what went wrong with the first one you got. Hopefully this will’ve been formatted properly.)

Much the same as most peoples, my reaction to the news that Middling has cancer was sa adness that a mother with young children was so afflicted, quickly tempered by the realisation that any sympathy was misplaced. Her being married into the family of the biggest benefit fraudsters in the country, means that the  state will pay for all her treatments and do so willingly, not even questioning her right to such entitlement. The press, knowing their role and performing it with an eye on future rewards of honours and titles, will act as cheerleaders for it being our patriotic duty to think this, that it’s almost our privilege to pay for the sort of medical care others can only dream of.

Writing about dreaming puts me in mind of one I had early this morning, when I was considering who were properly deserving of our sympathy amid this ridiculous confection of concern. I thought of  Billy Wilder and Ken Loach and if neither of those names mean anything to you, then you have no reason to be reading this blog. In a nutshell, one of them is probably one of the best film directors ever, and the other been the social conscience of British cinema since 1965.. Specifically, I imagined what manner of delights would they conjure up out of all the supposed grief and other phony emotions that have allegedly consumed vast swathes of the population this weekend.

Billy Wilders deeply cynical ‘Ace in The Hole’ tells the story of an out of work reporter who stumbles upon a small story but inflates it until it becomes massive sensation, with him directing the narrative. It’s a biting examination of the seedy relationship between the press, the news it reports and the manner in which it reports it. The film also shows how a gullible public can be manipulated by the press. Sounding familiar?

What would he have made of the circumstances whereby a conspiracy theory involving a famous person is created by and shared on social media and then that conspiracy theory is reported on and discussed by the press in a perpetual orgy of speculation and rumour.. Until the famous person is put in a situation where they are forced to reveal an even bigger story about themselves. The press and social media are delighted by this, as the newer, bigger story is so much better. Social media then turns on itself, needing as always, someone to be critical of, this time it is the people who spread the conspiracy theory The press reports on this, in a manner suggesting that they are merely curious observers of this digital onanism, free from any blame. And should they then turn on each other, so much the better, as they can report on that.

Then there is the emotional inflation, whereby a normal expression of sympathy from an estranged relation is imbued with such import and earning so much admiration that you’d think the relation had done something worthy enough to win the Nobel Peace Prize. The various opinion pieces in the press that are all variations of the same opinion. One has to admire the  genius of their benefit scam alchemy, where cutting ribbons, visiting factories or hospitals, and shaking hands is somehow transformed into work.

Billy’d have so much fun with all that, and being old school Hollywood, would do it less than two hours.

Ken Loach, always keen to tell the stories of Britain’s neglected and downtrodden, worlds away from wizards and superheroes, would unfavourably compare the gushing tributes toadied about Middlings ‘bravery’ with that of real bravery in the face of a similar diagnosis. A single father, maybe living on a sink estate, working two minimum wage jobs to support her and her young daughter. The only drugs he can get hold of is heroin from hus pimp because the waiting list for NHS cancer treatment is so long. So long, that it became terminal before she got an appointment. He doesn’t do froth, our Ken.

 Being Ken, he’d also include references to Middlings husbands family habit of going to hospital for a two night precautionary stay if they felt unwell, about how it wasn’t condemned as a flagrant mockery of the society upon which they sponged off by the press, but instead sold to a credulous public as a right and proper thing to do. And while he was at it, allude to the plights of the thousand other men who were diagnosed with cancer on the same day as Wayne, king of the spongers. You know, those men unlucky enough to be born to the wrong parents.

I care about her about as much as she cares about me, possibly because she hasn’t earned other feelings from me due to the fact that she’s had no positive effect on my life. Now if Neil Tennant or Chris Lowe of the Pet Shop Boys had cancer, that’d be another story, because they provided the soundtrack to my youth. When the their album ‘Introspective’ came out, I took the day off college to immerse myself in and it was a good job that I did, because I fondly remember spending hours listening to the opening track, ‘Left To My. Own Devices’. The utter lush majesty of it was so unlike anything I’d ever heard. Epic sonic indulgence in eight minutes.

Earned, not married into.